British Painter, 1738-1806,English painter. He studied with Joshua Reynolds from 1760 until early in 1762, during which time he was also a student at the St Martin's Lane Academy, London. He probably settled in Bath; his recorded portraits of the 1760s are all of sitters from Dorset or Somerset, and he sent two portraits from an address in Bath to the Society of Artists exhibition of 1772. He exhibited with the Society until 1783, becoming its vice-president (1782) and president (1783) he also exhibited at the Royal Academy (1785-90, 1797). He probably divided his mature practice between London and Bath. His early reliance on Reynolds's ideas of propriety gave way to a more direct approach, seen at its best in such group portraits as The Stapleton Family (1789; U. Bath, Holburne of Menstrie Mus.). In this work, the four children are shown in costume, as a fortune-teller and her customers. The theatrical element in Beach's work, reflecting his interest in the stage, is seen most strikingly in Sarah Siddons and John Philip Kemble in 'Macbeth' Act 2, Scene ii (1786; London, Garrick Club). Beach's diary for 1798, the only one to have survived, chronicles what appears to have been an annual tour of the west country; that year he completed 31 portraits between June and December. Beach was able to capture a strong likeness and this, despite a certain naivety and awkwardness in composition, was enough to establish his reputation in moderately fashionable provincial circles. His last recorded work is a Self-portrait   Related Paintings of Thomas Beach :. | The Faithful Colt | Colonel George K.H. Coussmaker | The Surrender of the Spanish Fleet to the British at Havana | People go to work | Dutch Yacht Firing a Salvo |
Related Artists:
Pieter Lodewyk Kuhnen
painted Romantic Rhine landscape with ruin at sunset in 19th century
MARTORELL, Bernat (Bernardo)
Spanish Early Renaissance Painter, ca.1400-1452
Cornelis Bisschop
In ca. 1650 he was a student of Ferdinand Bol in Amsterdam. In 1653 he was back in Dordrecht, where he got married. According to Houbraken he was the first to paint carved trompe l'oeil wooden panels in such an ingenious way that they became quite popular. He painted historical allegories, portraits, still lifes, and genre-works. He was asked to paint for the Danish court, but he died unexpectedly, leaving his wife and eleven children. Of these children, two sons (Abraham (1660-1700) & Jacobus Bisschop (1658-1698)) and three daughters became painters. These had been his students when he died, and Margaretha van Godewijk studied with his daughters. She wrote an emblem about his self-portrait with a curtain, which illustrates the legend of Zeuxis. His son Jacobus later became a student of Augustinus Terwesten in the Confrerie Pictura